Inevitable What: A hand-bound hardcover chapbook of poems flirting with witchery, travel, iambic pentameter, and saudade. Featuring gorgeous watercolor illustrations by artist Sirin Thada. Interview with illustrator Sirin Thada at Witch Craft Magazine / Review at Vagabond City / Review at Alien Mouth.
These gorgeous poems are haunting, intimate, incantatory. Sarah Lyn Rogers’s intelligence, sensitivity, depth, and wit exude from her lines. And she does not waste a word. Her control of craft leads to an explosion of meaning: “muted...And yet expansive.”
— Kate Evans, author of Call It Wonder: An Odyssey of Love, Sex, Spirit, and Travel
PEN America Best Debut Short Stories 2017: A collection featuring the 2017 winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers. Includes Amy Sauber's winning story, "State Facts for the New Age," first published at The Rumpus, and an introduction explaining why I selected her piece. (Hint: Because it is funny and also filled with rage.) Available now.
I have hit a new low point in my life, crying in front of eight graders. I can’t even look at them. All my notecards have fallen, splayed out all over the floor. I point to my students without looking at them. Bless America, shit.
— Amy Sauber, "State Facts for the New Age"
They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing: Forthcoming collection of collaborative writing, wherein each piece was written by at least two living writers. Will include "This is not my beautiful hell," a poem that Isobel O'Hare and I wrote together. Out from Black Lawrence Press next summer, 2018.
Three: An Anthology of Flash Nonfiction: A creative nonfiction collection in which each piece comprises three paragraphs or three haiku. Includes my short essay, "Butterfly Weather," and an embarrassing early version of my poem, "Grey" (which appears in revised form in Inevitable What).
Two@SJSU: An Anthology of Flash Nonfiction from San Jose State University: Creative nonfiction in two pages, tops. Includes my vignetty essays, "An Evening with Kim Addonizio" and "Cardio Tai Chi."
"she apologized" and "like little lambs" — erasure poems at Dream Pop Press
“Mewl” — poem at The Rumpus
“Drones” — Pushcart-nominated poem at DMQ Review
On the Road erasures — blackout poems at Potluck Mag
“‘Sleeping Lady Plate,’ 1976” — poem at Cosumnes River Journal
“You Can Never Quite Forgive’ (148).” — poem (credited to “Sarah Lyn Rodgers”) in Caesura’s 2014 issue, (dis)Ability
“Rat Race” — poem at 3Elements Review
“Cosmologies” — fiction vignette, forthcoming, in Vine Leaves Literary Journal, issue #19
“Chimera” — short story in drDOCTOR Vol. 1
“The Rumpus Interview with Leigh Stein” — interview at The Rumpus
“Calling Bhutan’s Fire Department to Save a Cat from a Roof Got Pretty Weird” — personal essay at The Missing Slate
“Flânerie in Lisbon” — personal essay at e-Cultura
“The Peculiar Profile: Daniel Handler on His Writing Process and Lemony Snicket’s New Series” — profile piece in Reed Magazine, Vol. 67, 2014
“Haunted (‘It’s bats’)” — flash fiction in the Rumpus Readers Report
“Ephemera” — flash fiction in Vine Leaves Literary Journal, issue #10
“Little Red and the Elf Princess” — short story in Iris Brown Lit Mag. Vol. 1 (and only), 2014
2016 Pushcart nomination for “Drones”
2016 Best of the Net nomination for “Drones”
2014 Academy of American Poets - Virginia de Araujo Prize for “Rat Race,” selected by Santa Clara County Poet Laureate David Perez
James D. Phelan Literary Awards
- First place in Metrical Verse under Thirty Lines for “The Somnambulist,” 2014
- First place in Familiar Essay for “California Wild Rose,” 2013
- Second place in Metrical Verse under Thirty Lines for “Breathe,” 2013
- Second place in Free Verse over Thirty Lines for “Cups,” 2013